![]() Shipped with a Certificate of Limitation and Authenticity from the publisher.Limited to only 50 copies of each size worldwide, plus 3 Artist Proofs and 3 Publisher Proofs for private distribution.Signed and authorized by the original cover artist. ![]() These prints are hand-signed by Steven Stroud, and the first 20 include an original Remarque, two of which are available for purchase at the time of release, so act fast on those.Įxclusively available through Suntup Editions for your private collection, and limited to just 50 signed copies per size, worldwide. Now, you can see the art as it was originally created, presented here for the first time without text, as a fine art giclée print. Collectors of Stephen King books will tell you that the mark of a well-preserved first edition of Cujo is how clearly you can see old Cuje as he emerges from the fog. King once described Cujo as being "like a brick heaved through a window," and one could easily say the same of Stroud's snarling depiction here of the titular character. Now we are pleased to release another glorious piece of art from Steven Stroud: Cujo, cover art from the 1981 first edition novel by Stephen King. In November 2017, we released the cover art print for Firestarter. ![]() ![]() Remember to select your preferred print size option from the drop down above. ![]()
0 Comments
![]() Only one man can spoil everything for her, but surely he will not be in London this year. She is an instant success and enjoys a close friendship with the granddaughter of a duke. Only years later does Philippa find the courage to go to London at last to meet the ton. ![]() The whole family was disgraced, and Philippa's hopes grew dim, then were fully shattered when she overheard the dashing, handsome Marquess of Roath viciously insult her upon learning of her father's identity. Then her brother caught their father out in a clandestine affair and denounced him publicly. rly anticipating a glittering debut and a brilliant marriage. ![]() Philippa, elder daughter of the Earl of Stratton, grew up eage. ![]() Can Lady Philippa Ware forgive the man who once shattered all her youthful dreams? Discover the passionate and heartwarming new novel on the redemptive power of love from New York Times bestselling author Mary Balogh. ![]() ![]() ![]() That is, the book is arguably most remarkable for its simultaneous defense of semiotics, as it cogently develops theological, philosophical, and historical investigations into the nature of “truth.” For example, the “detectives” are keen to follow the “signs” they come across and believe in the ability to “read” nature. From here, the plot develops around a missing manuscript, the second volume of Aristotle’s Poetics on comedy, and a hidden, forbidden room in the abbey’s labyrinthine library called the finis Africae.īut just as The Name of the Rose presents a book within a book, it also offers another kind of book alongside that of the novel. ![]() Here Adso introduces the reader to the fascinating tale of a week-long episode from his youth as a Benectine novice when, in 1327, he and an older Franciscan friar named William of Baskerville were engaged in solving a string of mysterious deaths in a north Italian monastery. A second prologue follows, that of the manuscript itself, written by Adso at the end of his life. The narrator expresses his hesitation in believing the authenticity of the text, as both artefact and narrative, but explains that he nevertheless decided to translate and publish it so the incredible story could be shared. The text is set up as a book within a book: it opens with a prologue by an unknown narrator who explains his discovery of a manuscript written by a 14th-century German monk named Adso of Melk. ![]() |